Where the two worlds touch, 2025
water, wind, cotton, jerrycans, ad-hoc wind turbine, frequency generator, amplifier, exciter speakers, plastic stretch foil
2025 CHTHONIC EXHIBITION (möte i tunnel), Young Promising Hive Mind, Malmö, SWE
2025 Galleri Arnstedt, Östra Karup, SWE
2024 ‘BUILDING’, Celsius Projects, Malmö, SWE
2024 Masters students from Malmö Art Academy, Skissernas Museum, Lund, SWE
2024 ‘TOMORROW HAS NEVER BEEN AS CLOSE AS IT IS RIGHT NOW’, MFA degree exhibition, Gallery KHM 1, Malmö, SWE (solo)
2019–2024 Annual Exhibition, Malmö Art Academy, Malmö, SWE
2023 ‘What’s all around, comes around…’, Otte (project space), Copenhagen, DK (duo)
2022 ‘Methods of movement’, 3:e Våningen, Gothenburg, SWE
https://3vaningen.se/methods-of-movement/
2022 ‘Why so wordy?’, HUS8000 iovermorgen, Aarhus, DK
2022 BFA degree show, Galleries KHM 1 & 2, Malmö, SWE
2018 ‘Greif’, NW Gallery, Copenhagen, DK
​​​​​​​​
EDUCATION
MALMÖ ART ACADEMY, Malmö, SWE
2022 - 2024 MFA
2019 - 2022 BFA
​
MAUMAUS School of Visual Arts, Lisbon, PT
2023
​
VERA skole for kunst og design, Copenhagen, DK
2018 - 2019
​
RELEVANT WORK
Gallery Assistant - Lagune Ouest
2025 Sep - , Copenhagen, DK
​​
Assistant/Studio manager to artist Isabelle Andriessen, Amsterdam, NL
2025 Jan - Jun
Bronze foundry - Peter Jensen
2022 - 2024, Copenhagen, DK​
Where the two worlds touch, 2025
graphite on acrylic sheets
(A4)
here (simultaneously too-late and too-early), 2024
streetlights, webcam, relay module, raspberry pi, monitor
The viewing hours for this exhibition were adjusted from the galleries original hours, and set to: 12:00 - sunset.
the two parts are total parts (insignificance needs another half), 2024
sun, solar panels(x4), re-salvaged metal, linear actuator(x2), cable, found floral printed notepad
The solar panel system outside the gallery is designed as an ad-hoc solar tracker, adjusting its position to follow the sun’s movement from east to west throughout the day.
This system consists of four 12V solar cells mounted on a triangular structure outside the gallery.
-
Two opposing solar cells provide power to a small linear actuator motor, which adjusts the position of the triangular solar panel system to track the sun.
-
The other two opposing solar cells are wired into the gallery and provide power to a separate actuator motor inside the space, which controls the movement of the sculpture within the space.
As the outdoor solar tracker moves, its movement is mirrored by the sculptural “sunflower” inside the gallery, allowing it to follow the sun’s position in a manner similar to a real sunflower.
TOMORROW HAS NEVER BEEN AS CLOSE AS IT IS RIGHT NOW, Installation view, KHM 1 Gallery, Malmö
life-in-death begins her work, 2024
Live Royal Albatross Cam - New Zealand Dept. Of Conservation · Cornell Lab –
A 24-hour live stream of a Northern Royal Albatross nest during the breeding season on the southeast tip of New Zealand's South Island.
I’ve reframed the livestream by zooming in on a single portion of the image in an effort to focus in on the surrounding natural forces.
Conservationists stream their efforts to preserve the remaining royal albatross – a species suffering the consequences of human destruction. With the albatross rarely on screen, nature’s quiet persistence fills the frame.
The work played undisturbed and was active for the entire duration of the exhibition period.
vision remains surpassed closed eyes, 2024
Fleetwood Mac - 'Albatross' ; Slowed down to 24-hours with preserved pitch
looped for the entire duration of the exhibition on a stereo sound system
The work "a sip of water between each word might change the view" was influenced by a method of agricultural watering, known as a gravity feed irrigation system.
This methodology has been adapted and altered, here it's been configured to sustain the developing growth of algae amongst a found object (sponge).
The irrigation system releases one drop of water approximately every 5 minutes and was functionally active throughout the entire duration of the exhibition, nourishing its growth. ​​​​​​​​
The work came to fruition inspired by an awareness of a problematic world view pointed out by Fritjof Capra.That being, the human tendency to view the natural world we live in as a machine at our disposal rather than a systematic world view in which the interrelated systems function in a harmonious relationship–influenced by each and the other.
a sip of water between each word might change the view, 2024
stripped hub from industrial linear actuator, 10L water drum, water, plastic hose, metal, found sponge with developing algae growth
TOMORROW HAS NEVER BEEN AS CLOSE AS IT IS RIGHT NOW, Installation view, KHM 1 Gallery, Malmö
the value of value, space for space, 2024
coconut coir, re-salvaged shelving system
Moss needs adequate moister in order to endure and grow. When that need is not fulfilled the moss dries up and goes dormant until the conditions are right again for it to awake.
The blue drum is 1/2 filled with water. Inside the drum also lies an ultrasonic generator, emitting ultrasonic frequencies that gradually but ultimately transforms water into mist.
The mist then accumulates in the drum. The fan atop the lid of the drum pulls air in from the room, into the drum, forcing the mist out of the drilled holes circling the lid.
The mist is then projected upward in an attempt to sustain the moisture viable for the moss to flourish.
and ( ≈ ), 2022
found steering wheel cover overgrown by moss, steel, glass, water drum, ultrasonics, water, fan, yoga mat
and (insert), 2021
mdpe water supply pipe, sunflower seeds, bees wax
and (the dance), 2022
beachgrass, recycled steel, open window, airflow-draft
and (end), 2021
glass, water, ultrasonics